Can beginnings be ever separated from what came before them? Which came first reflects on transformation as a quiet continuity, in which every form carries the memory of another and the promise of one yet to come. The photographs made on Berlenga Grande emerge from a place where this condition becomes almost tangible. The island endures, while everything that touches it arrives only briefly before giving way again. Between the stillness of stone and the rhythm of continual return, change appears not as disruption, but as the very substance of continuity.






































